CRITICAL THEORY SINCE PLATO is a chronologically-arranged anthology that presents a broad survey of the history and development of literary criticism and theory in Western culture. Written by two well-known scholars in the field of literary study, this well-respected text puts an emphasis on the individual contributors to the development of literary criticism, from Plato and Aristotle to the present.

Critical Theory Since Plato

Literature & Fiction

Searle, Leroy

Adams, Hazard

Literary

Wadsworth Publishing

This outstanding anthology traces major critical statements from classic theorists like Plato to the contemporary. This standard historical textbook in the field focuses on important individual thinkers, and not particular schools of thought or isms. Current selections bring the anthology into contemporary times and show students how critical theory has evolved and progressed over time.

Cengage Learning'

The Academic Tribes

Humor & Entertainment

Humor

University of Illinois Press

In The Academic Tribes, an English professor who has survived stints as a dean and a vice-chancellor “takes a gentle, satiric sideswipe at academia, its foibles, follies, and myths” (ALA Booklist). This parody of anthropological analysis allows Hazard Adams to describe the principles and antinomies of academic politics, campus stereotypes, the various tribes divided by discipline, the agonies accompanying each stage on the way to full professorship, and, of course, the power struggle between faculties and academic administrators. For this first paperback edition, Adams has written a new preface, in which he looks back at the decade since the book was originally published, and has included an appendix of three relevant essays that appeared since the original publication.

Academic Tribes

There is something offensive and scandalous about poetry, judging by the number of attacks on it and defenses of it written over the centuries. Poetry, Hazard Adams argues, exists to offend - not through its subject matter but through the challenges it presents to the prevailing view of what language is for. Poetry's main cultural value is its offensiveness; it should be defended as offensive.Adams specifies four poetic offenses - gesture, drama, fiction, and trope - and devotes a chapter to each, ranging across the landscape of traditional literary criticism and exploring the various attitudes toward poetry, including both attacks and defenses, offered by writers from Plato and Aristotle to Sidney, Vico, Blake, Yeats, and Seamus Heaney, among others. "Criticism," Adams writes, "needs renewal in every age to free poetry from the prejudices of that age and the unintended prejudices of even the best critics of the past, to free poetry to perform its provocative, antithetical cultural role."Poetry achieves its cultural value by opposing the binary oppositions - form and content, fact and fiction, reason and emotion - that structure and polarize most understandings of literature and of life. Adams takes a position antithetical to the extremes of both abstract formalism and the politicization of literary content. He concludes with an appreciation of what he calls the double offense of "great bad poetry," poetry so exceptionally bad that it transcends its shortcomings and leads to gaiety. He reminds us that Blake, in The Marriage of Heaven and Hell, identified angels with the settled and coercive and assigned the qualities of energy and creativity to his devils. According to Adams, poetry, in its broad and traditional sense of all imaginative writing, may be identified with Blake's devils.

The Offense of Poetry (Robert B Heilman Books xx)

History & Criticism

University of Washington Press

There is something offensive and scandalous about poetry, judging by the number of attacks on it and defenses of it written over the centuries. Poetry, Hazard Adams argues, exists to offend - not through its subject matter but through the challenges it presents to the prevailing view of what language is for. Poetry's main cultural value is its offensiveness; it should be defended as offensive. Adams specifies four poetic offenses - gesture, drama, fiction, and trope - and devotes a chapter to each, ranging across the landscape of traditional literary criticism and exploring the various attitudes toward poetry, including both attacks and defenses, offered by writers from Plato and Aristotle to Sidney, Vico, Blake, Yeats, and Seamus Heaney, among others. "Criticism," Adams writes, "needs renewal in every age to free poetry from the prejudices of that age and the unintended prejudices of even the best critics of the past, to free poetry to perform its provocative, antithetical cultural role." Poetry achieves its cultural value by opposing the binary oppositions - form and content, fact and fiction, reason and emotion - that structure and polarize most understandings of literature and of life. Adams takes a position antithetical to the extremes of both abstract formalism and the politicization of literary content. He concludes with an appreciation of what he calls the double offense of "great bad poetry," poetry so exceptionally bad that it transcends its shortcomings and leads to gaiety. He reminds us that Blake, in The Marriage of Heaven and Hell, identified angels with the settled and coercive and assigned the qualities of energy and creativity to his devils. According to Adams, poetry, in its broad and traditional sense of all imaginative writing, may be identified with Blake's devils.

William Butler Yeats (1865-1939) was one of the greatest poets of his or any age. His odd, eccentric, comic, and finally serious prose work A Vision has long exasperated some readers with its occultist connections and strange, pseudo-geometrical diagrams and intrigued others with its odd origins and complex thought. In this sequel to his critical study of Yeats's poems, Hazard Adams argues that A Vision is of extraordinary interest for its literary merit, its place in intellectual history as an example of romanticism's persistence in modernism, and its oblique defense of poetic fiction-making. Rather than treating the book in terms of its historical and biographical genesis, Adams discusses the finished product as it appeared in 1937, a uniquely woven fictional fabric in which Yeats invents himself as a character. The "technical" sections of A Vision are presented as part of this drama and are illustrated by charts that appeared originally in A Vision and explanatory ones by the author. In addition to the careful reading of the text, Adams shows that A Vision also presents a theory of poetry, art, and myth that goes under the Yeatsian term "antitheticality." This notion, which governs all the dimensions of A Vision-- philosophical, aesthetic, historical, and psychological--is drawn from a tradition stretching back to pre-Socratic ideas of warring opposites, through Giambattista Vico's account of "poetic wisdom," and William Blake's concept of "contraries." The Book of Yeats's Vision will be essential reading for literary theorists, students and scholars of Irish literature, and admirers of Yeats interested in his creative intellectual life. Hazard Adams is Byron W. and Alice L. Lockwood Professor of Humanities and Professor of Comparative Literature, University of Washington and Professor of English, University of California, Irvine.

The Book of Yeats's Vision: Romantic Modernism and Antithetical Tradition

Univ of Michigan Pr

In this sequel to his critical study of Yeats's poems, Hazard Adams turns to Yeats's odd, eccentric, comic, and finally serious prose work A Vision. A Vision has long exasperated some readers with its occultist connections and strange, pseudo-geometrical diagrams, and intrigued others with its odd origins and complex thought. Adams argues that the book is of extraordinary interest for its literary merit, its place in intellectual history as an example of romanticism's persistence in modernism, and its oblique defense of poetic fiction-making. Rather than treating the book in terms of its historical and biographical genesis, Adams discusses the finished product as it appeared in 1937, a uniquely woven fictional fabric in which Yeats invents himself as a character. The "technical" sections of A Vision are presented as part of this drama and are illustrated by charts that appeared originally in A Vision and explanatory ones by the author. In addition to his careful reading of the text, Adams shows that A Vision also presents a theory of poetry, art, and myth that goes under the Yeatsian term "antitheticality." This notion, which governs all of the dimensions of A Vision—philosophical, aesthetic, historical, and psychological—is drawn from a tradition stretching back to pre-Socratic ideas of warring opposites, through Giambattista Vico's account of "poetic wisdom" and William Blake's concept of "contraries." The Book of Yeats's Vision is essential reading for literary theorists, students, and scholars of Irish literature, and admirers of Yeats interested in his creative intellectual life.

British & Irish

University of Michigan Press

A leading scholar of English romanticism and literary theory and criticism, Hazard Adams writes of a lifetime as a student, a teacher and an academic administrator. The child of academically-minded parents, both teachers at Cleveland's Hawken School, Adams tells of his family's experiences at Hawken and later Seattle's Lakeside School, then his Marine Corps service and education at Princeton and the University of Washington. In addition to an illuminating account of his academic career-his experiences researching and teaching in Ireland, his administrative work in the founding faculty at the University of California's Irvine campus, and finally his experiences under the first endowed professorship in the humanities at the University of Washington-the memoir also voyages into memories of family, friends and colleagues and offers singularly well-informed comments on the current state of higher education and the academic experience.

Academic Child: A Memoir

Biographies & Memoirs

Professionals & Academics

McFarland

Known for his prophetic and imaginative works of poetry, painting, and printmaking, William Blake was also a prolific reader and annotator of other writers' works. This is the first work of criticism to consider Blake's annotations in their entirety, and it covers such topics as art, poetry, theology, madness and philosophy, as well as the authors Lavater, Swedenborg, Bacon, Spurzheim, Berkeley, and Wordsworth, among others.

Blake's Margins: An Interpretive Study of the Annotations

McFarland Company

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Books by Adams, Hazard

See the best price to sell, buy, or rent books by Adams, Hazard. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Critical Theory Since Plato

Critical Theory Since Plato

The Academic Tribes

Academic Tribes

The Offense of Poetry (Robert B Heilman Books xx)

The Offense of Poetry (Robert B Heilman Books xx)

The Book of Yeats's Vision: Romantic Modernism and Antithetical Tradition

The Book of Yeats's Vision: Romantic Modernism and Antithetical Tradition

Academic Child: A Memoir

Blake's Margins: An Interpretive Study of the Annotations