Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.

Palladio

Arts & Photography

ACKERMAN, JAMES S.

History & Criticism

Penguin??Books

Palladio is the most imitated architect in history. His buildings have been copied all over the Western world - from Leningrad to Philadelphia - and his ideas on proportion are still current nearly four hundred years after his death. In this, the first full account of his career to be published in English, Professor James Ackerman investigates the reasons for his enormous and enduring success. He presents him in his historical setting but is constantly alert to his relevance for us today.

Palladio (Architect and Society)

Photography & Video

Sculptor, painter, poet and architect, the archetype of the inspired genius, Michelangelo revolutionized everything he touched, and nowhere was his influence so profound or so enduring as in architecture. First published in 1961, this revised edition takes into account the most recent research and includes a specially prepared Catalogue of Works. It is a study of Michelangelo's major designs, including among others the Medici chapel, the fortifications of Florence, the Farnese palace, St, Peter's and the Capitoline Hill.

The Architecture of Michelangelo: With a Catalogue of Michelangelo's Works

NEWMAN, John

Architecture

In this widely acclaimed work, James Ackerman considers in detail the buildings designed by Michelangelo in Florence and Rome—including the Medici Chapel, the Farnese Palace, the Basilica of St. Peter, and the Capitoline Hill. He then turns to an examination of the artist's architectural drawings, theory, and practice. As Ackerman points out, Michelangelo worked on many projects started or completed by other architects. Consequently this study provides insights into the achievements of the whole profession during the sixteenth century. The text is supplemented with 140 black-and-white illustrations and is followed by a scholarly catalog of Michelangelo's buildings that discusses chronology, authorship, and condition. For this second edition, Ackerman has made extensive revisions in the catalog to encompass new material that has been published on the subject since 1970.

The Architecture of Michelangelo

University of Chicago Press

"James Ackerman's essays are nuggets of pure gold in the mainstream of American cultural history. They exemplify the very best art history has achieved in our time." -- Irving Lavin, The Institute for Advanced Study, Princeton University These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture.  The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.

Distance Points: Essays in Theory and Renaissance Art and Architecture

Health, Fitness & Dieting

Psychology & Counseling

Mit Pr

Twelve studies by eminent art historian James S. Ackerman.
This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past―which may act not only as a restraint but as a challenge and stimulus―and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.

Origins, Imitation, Conventions: Representation in the Visual Arts

The MIT Press

These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture. The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.

Distance Points: Studies in Theory and Renaissance Art and Architecture

MIT Press]

An illuminating collection of essays from the preeminent scholar of architectural history and theory One of the most distinguished scholars in the fields of architectural history and theory today, James Sloss Ackerman is best known for his work on Italian masters such as Palladio and Michelangelo. In this collection of essays, Ackerman offers insight into his formation and development as a scholar, as well as reflections on a range of topics. Concise, lucid, and original, this book presents deep syntheses alongside innovative approaches and a broadening geographical and chronological reach. Ackerman’s enduring fascination with architecture was one unforeseen consequence of his military service in World War II, and the collection includes a revealing account of his part in the liberation of Milan as a soldier in the Fifth American Regiment. These essays represent a unique, personal journey—from the Italian Renaissance to the classical architecture of India and the work of Frank Gehry at the new museum of the Fondation Louis Vuitton in Paris.

Origins, Invention, Revision: Studying the History of Art and Architecture

Yale University Press

The architectural historian James Ackerman discusses villas from ancient Rome to 20th-century France and America. Unlike farmhouses, castles or manors, villas usually belong to city dwellers. The villa provides a focus for examining not only the relationship between urban and rural life, but also that between building and the environment, and between the effects of social, economic and political change on architectural design. The author illuminates villas of all kinds in a study of one of the most attractive types of dwelling ever conceived.

The Villa (Paperback)

History

Thames&Hudson

See the best price to sell, buy, or rent books by ACKERMAN, JAMES S.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by ACKERMAN, JAMES S.

See the best price to sell, buy, or rent books by ACKERMAN, JAMES S.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Palladio

Palladio (Architect and Society)

The Architecture of Michelangelo: With a Catalogue of Michelangelo's Works

The Architecture of Michelangelo

Distance Points: Essays in Theory and Renaissance Art and Architecture

Origins, Imitation, Conventions: Representation in the Visual Arts

Distance Points: Studies in Theory and Renaissance Art and Architecture

Origins, Imitation, Conventions: Representation in the Visual Arts

Origins, Invention, Revision: Studying the History of Art and Architecture

The Villa (Paperback)