A sweeping, beautifully written history of artistic patronage from 1000 to the present day by a Wolfson Prize-winning historian.
‘Marks of Opulence’ is a magisterial survey of European art and artistic patronage from 1000 until the birth of modernism. Tracing the history from the discovery of silver in the Harz mountains, through the catastrophic effects of plague in the 14th-century, to the studied magnificence of papal and royal courts in the 16th- and 17th-centuries, Platt shows how the great and the good have always used art to bolster political power.
Arguing that the acquisitive instinct – felt by all of us in different ways – is central to the history of Western art, Platt traces how art began to move out of the palaces of the aristocracy into the homes of merchants, bankers and industrialists. From the mid 19th-century onwards, and in the pre-war Belle Époque in particular, it was the immensely wealthy 'robber barons' and their widows – in London and Paris, in Berlin and Vienna, in Moscow and Barcelona, in Philadelphia and New York – who collected the work of the most innovative artists and broke the hold of the Academies on Western art.
Professor Platt's ambitious sweep through a thousand years of artistic endeavour in the West argues throughout that a superfluity of money is the chief driver of high achievement in the arts, and for the transforming power of great riches.

Marks of Opulence: The Why, When and Where of Western Art 1000–1914

Arts & Photography

PLATT, Colin

History & Criticism

Harper-perennial

A narrative history of how Leonardo da Vinci’s painting of the Mona Lisa came to be the most famous in the world – and one of the most powerful cultural icons of our time.
What has made the Mona Lisa the most famous picture in the world? Why is it that, of all the 6,000 paintings in the Louvre, it is the only one to be exhibited in a special box, set in concrete and protected by two sheets of bulletproof glass? Why do thousands of visitors throng to see it every day, ignoring the masterpieces which surround it?
For nearly 500 years the painting – and the mysterious smile on the face of the sitter – has been a source of mystery, speculation and reverence. In this groundbreaking new book Donald Sassoon describes not only the Mona Lisa and its history, but its mythology, and the processes which combined to raise it to its current unrivalled level of fame. He examines Leonardo’s innovative techniques; the problems concerning the identity of the sitter; what happened to the painting after it left Italy when Leonardo joined King François I’s court in France; the copies made in the 17th century; its celebration by 19th-century intellectuals; its theft and disappearance early in the 20th century; the surrealists’, other avant-garde artists’ and cartoonists’ uses of it; its appropriation by the advertising industry; and the never-ending flood of new and ‘conclusive’ theories about Mona Lisa’s smile.

Mona Lisa: The History of the World’s Most Famous Painting (Story of the Best-Known Painting in the World)

Sassoon, Donald

Reference

Harpercollins

HardCover. Pub Date :2012-07-05 Pages: 864 Language: English Publisher: HarperPress The first biography since 1877 of Venices greatest artist - a towering work which captures the genius of Titian. beautifully illustrated throughout with full colour plates.Devoted father and loyal friend. Titian was notorious for disregarding authority and was an international celebrity by his late fifties. He was famously difficult but his stubbornness and horrendous timekeeping did nothing to deter his patrons who included the Hapsburgs. the Pope and his family and Charles.During his career. which spanned more than seventy years. Titian painted around five or six hundred pictures of which less than half survive. His work has been studied by generations of great artists from Rubens to Manet and he is often seen as having artistically transcended his own time . Sheila Hale not only examines h...

Titian: His Life

Hale, Sheila

London : HarperPress

The first major life of the outstanding British painter – and Jack the Ripper suspect – Walter Sickert (1860-1942), by the highly acclaimed biographer of Aubrey Beardsley.
Walter Richard Sickert is perhaps the outstanding figure of British art during the last hundred years. Many contemporary painters, from Hodgkin and Bacon to Auerbach and Kossof, acknowledge a debt to his influence. His career spanned six decades of unceasing experiment and achievement. As a young artist, he was welcomed and encouraged by Degas. He was the disciple of Whistler and mentor of Beardsley. He founded the London Impressionists and the Camden Town Group. He was taken up by both the Woolfs and the Sitwells. He gave painting lessons to Winston Churchill.
His energy was prodigious and his personality fascinating: he was also an illustrator, cartoonist, writer, polemicist, teacher and wit. He relished controversy: his early paintings of London music halls and his late works, based on 18th-century etchings and contemporary news photographs, provoked outraged criticism from conventional commentators.
Sturgis also devotes an appendix to charting in detail Sickert's posthumous life as a player in the 'Jack the Ripper' circus, assessing (and demolishing) the arguments of Patricia Cornwell and others in the light of his own discoveries.

Walter Sickert: A Life

STURGIS, Matthew

Humor & Entertainment

‘A riveting tale, brilliantly told' Philippe Sands 
The little-known story of Hitler’s war on modern art and the mentally ill. 
In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world. 
The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder. 
Soon after his rise to power, Hitler―a failed artist of the old school―declared war on modern art. The Nazis staged giant ‘Degenerate Art’ shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both. 
Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Führer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.

The Gallery of Miracles and Madness: Insanity, Art and Hitler’s first Mass-Murder Programme

English, Charlie

William Collins

In 2017 the Salvator Mundi was sold at auction for $450m. But is it a real da Vinci? In a thrilling narrative built on formidable research, Ben Lewis tracks the extraordinary journey of a masterpiece lost and found, lied and fought over across the centuries. 
In 2017, Leonardo da Vinci’s small oil painting, the Salvator Mundi was sold at auction for $450m. In the words of its discoverer, the image of Christ as saviour of the world is ‘the rarest thing on the planet by the greatest human being who ever lived’. Its dazzling price also makes it the world’s most expensive painting.\nFor two centuries art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardo’s assistants in the first half of the sixteenth century. But where was the original by the master himself?\nIn November 2017, Christie’s auction house announced they had it. But did they? The Last Leonardo tells a thrilling tale of a spellbinding icon invested with the power to make or break the reputations of scholars, billionaires, kings and sheikhs. Lewis takes us to Leonardo’s studio in Renaissance Italy; to the court of Charles I and the English Civil War; to Holland, Moscow and Louisiana; to the galleries, salerooms and restorer’s workshop as the painting slowly, painstakingly, emerged from obscurity. The vicissitudes of the highly secretive art market are charted across five centuries. It is a twisting tale of geniuses and oligarchs, double-crossings and disappearances, where we’re never quite certain what to believe. Above all, it is an adventure story about the search for lost treasure, and a quest for the truth.

The Last Leonardo (English and Italian Edition)

Lewis, Ben

An illuminating exploration of the intersection between life, art and the sea from the award-winning author of Leviathan. 
‘This is a wonderful book. A lyrical journey into the natural and unnatural world … Leading us from the hands of an engraver to the monstrous beauty dwelling in the churning seas’ Patti Smith 
Albrecht Dürer changed the way we saw nature through art. From his prints in 1498 of the plague ridden Apocalypse – the first works mass produced by any artist – to his hyper-real images of animals and plants, his art was a revelation: it showed us who we are but it also foresaw our future. It is a vision that remains startlingly powerful and seductive, even now. 
In Albert & the Whale, Philip Hoare sets out to discover why Dürer's art endures. He encounters medieval alchemists and modernist poets, eccentric emperors and queer soul rebels, ambassadorial whales and enigmatic pop artists. He witnesses the miraculous birth of Dürer's fantastical rhinoceros and his hermaphroditic hare, and he traces the fate of the star-crossed leviathan that the artist pursued. And as the author swims from Europe to America and beyond, these prophetic artists and downed angels provoke awkward questions. What is natural or unnatural? Is art a fatal contract? Or does it in fact have the power to save us?\nWith its wild and watery adventures, its witty accounts of amazing cultural lives and its delight in the fragile beauty of the natural world, Albert & the Whale offers glorious, inspiring insights into a great artist, and his unerring, sometimes disturbing gaze.

Albert and the Whale

HOARE, PHILIP

Fourth Estate

A photography book that is a vital accompaniment to the many fans of Hilary Mantel's bestselling Wolf Hall Trilogy 'At the very beginning of the twentieth century, Zola said, ''In my view you cannot claim to have really seen something till you have photographed it.'' The act of photographing, at least for a moment, distinguishes its object and estranges it from its context . . . Every stroke of the pen releases a thousand pictures inside the writer's head. This book has made some of them visible.' Hilary Mantel Hilary Mantel, Ben Miles, the stage's celebrated Thomas Cromwell, and his brother, photographer George Miles, spent many years exploring the locations we know Thomas Cromwell visited and inhabited - Putney, Austin Friars, Wolf Hall, the Tower of London - to capture the faint traces of Tudor England and his extraordinary life. Accompanied with extracts from The Wolf Hall Trilogy, some of them published here for the first time, and including a stunning new essay by its author, these photographs reveal a world that is shadowy, frightening, sometimes whimsical - a portrait of a country in conversation with its past. 'The present rubs up against the past, accompanied by excerpts from the novels, some taken from deleted scenes that, thrillingly for Mantel fans, have never before been released. Among other things, it is an interrogation of the way we interact with history; of the gaps in the record; its elusive nature; and its unexpected resonances with our contemporary lives' Guardian

The Wolf Hall Picture Book: For fans of the Booker Prize-winning and bestselling Wolf Hall trilogy, now a major TV series

MANTEL, HILARY

Miles, George

Miles, Ben

Discover the tools used by professional appraisers to evaluate your own antiques and make educated decisions in the antiques market.
Now the information once held by a select group of professional appraisers is available for all levels of collectors. With great wit and wisdom, Joe L. Rosson and Helaine Fendelman -- hosts of the popular television show Treasures in Your AtticTM, seen on PBS stations nationwide -- will help you identify, understand, and determine the potential value of any type of antique or collectible. Price It Yourself! not only explores all the basic concepts and skills that you must know in order to value an antique ACCURATELY, it is also filled with practice appraisals to help you develop an "eye" for value.
Price It Yourself! is truly the most comprehensive antiques appraisal and research guide available, covering furniture, glass, pottery and porcelain, silver and other metals, household collectibles, and much more.

Price It Yourself! The Definitive, Down-to-earth Guide to Appraising Antiques and Collectibles in your Home, at Auctions, Estate Sales, Shops, and Yard Sales

Fendelman, Helaine

Rosson, Joe L.

The Paston family of Norfolk, England, has long been known to medieval scholars for its large collection of personal correspondence, which has survived five centuries. Revealing a wealth of information about manners, morals, lifestyle, and attitudes of the late Middle Ages, the letters also tell the story of three generations of the fifteenth-century Paston family that treads like a historical novel full of memorable characters: Margaret Paston, the indomitable wife and mother who fought the family's battles; her husband, John Paston I, tough, hardheaded, and thrice confined to Fleet Prison but never yielding to his enemies; daughter Margery, who scandalized family and friends by falling in love with the Paston bailiff, Richard Calle; lighthearted, chivalric Sir John; and cheerful, sensible John III, who against all odds succeeded in marrying for love. 
A Medieval Family traces the Pastons history from 1420, through the stormy Wars of the Roses, to the early 1500s. The family's story, extracted from their letters and papers and told largely in their own words, shows a side of history rarely revealed: the lives and fortunes not of kings and queens but of ordinary middle-class people with problems, tragedies, and moments of happiness.

A Medieval Family: The Pastons of Fifteenth-Century England

Gies, Joseph

GIES, Frances

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