被操控的海外文革文学汉译—以程乃珊、潘佐君译《上海生死劫》为例 (Chinese Edition)
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在20世纪80年代,以文革为题材的“伤痕文学”和“反思文学”成了大陆文坛的主流,而与此同时一些海外华人也在用英文进行着文革写作,成了文革文学的海外映照。这些海外文革文学在西方世界获得成功后又被相继译成中文,在大陆出版,成了一种特殊的文化现象。海外文革文学作者大多是移居海外的华人,深受中西两种文化的影响,而且他们向西方读者讲述的是“文革”这一颇为敏感的中国故事,因此这些作品的汉译不仅仅是简单的语言转换,更是一次中西社会文化的正面交锋。 《上海生死劫》为郑念所著的英文自传性作品,记述了她从文革开始到八十年代初出国这段时间的个人遭遇。由于此书题材的敏感性和郑念本身独特的中西视角,译者和出版社在中文版中对原文进行了较大程度上的修改,这实际上是社会文化因素对翻译的一种操控。因此,本书选取勒菲弗尔的操控理论为支撑,从主流意识形态、赞助人、诗学形态这三个角度出发,通过大量译例探究了社会文化因素是如何对翻译进行操控的。
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