The Visitors
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Product Description With the smart suspense of Emma Donoghue’s Room and the atmospheric claustrophobia of Grey Gardens, this “bizarrely unsettling, yet compulsively readable” (Iain Reid, internationally bestselling author of I’m Thinking of Ending Things) thriller explores the twisted realities that can lurk beneath even the most serene of surfaces.What becomes of a child who grows up without love? Marion Zetland lives with her domineering older brother John in a crumbling mansion on the edge of a northern seaside resort. A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to live by John’s rules, even if it means turning a blind eye to the noises she hears coming from behind the cellar door...and to the women’s laundry in the hamper that isn’t hers. For years, she’s buried the signs of John’s devastating secret into the deep recesses of her mind—until the day John is crippled by a heart attack, and Marion becomes the only one whose shoulders are fit to bear his secret. Forced to go down to the cellar and face what her brother has kept hidden, Marion discovers more about herself than she ever thought possible. As the truth is slowly unraveled, we finally begin to understand: maybe John isn’t the only one with a dark side.... About the Author Born in Manchester, Catherine Burns is a graduate of Trinity College, University of Cambridge. She worked as a bond trader in London before studying at the Gerasimov Institute of Cinematography and teaching film theory at the University of Salford. The Visitors is her debut novel. Excerpt. © Reprinted by permission. All rights reserved. The Visitors IN THE NIGHT — 1 Like a white bird, the scream flew up from the depths of the cellar, then became trapped inside Marion’s head. As it flapped its wings against the inside of her skull, she wondered how had it got through three floors of the big strong house to her dusty little room in the attic? If the scream managed to reach her, surely it could find a way to someone else: Judith next door or old Mr. Weinberg opposite, who liked to walk his little Pomeranian dog along Grange Road in the small hours. Lying on her side made her hip bone ache, so she turned onto her back, but this position strained her knees. The sheets had wriggled to the bottom of the bed, so the woolen blankets scratched her skin, but when she pushed the blankets off, she was freezing cold. She tried to stop herself from wondering what had caused the person to scream and what it might be like down in the cellar in the middle of the night. Don’t think about it, she warned herself, or you’ll go mad, just like Great-aunt Phyllis. They’ll send you to one of those places with bars on the windows, and you’ll have to eat your dinner with a plastic spoon. Then she heard Mother’s voice: John is doing what is best for them; you have to trust him—he is your brother and a very clever person, an Oxford graduate, no less. If you can’t trust John, your only living family, then who can you trust? But what if Judith or Mr. Weinberg did hear the scream? What if someone called the police and they came to the house in the night? Would they bang on the door and wait for someone to answer, or just knock it down and come right in? Would they be dragged from their beds? You heard people say that sometimes: “They dragged them from their beds in the middle of the night.” But surely the police allowed a person time to get up and get dressed, didn’t they? Perhaps you ought to have something decent ready just in case, suggested Mother. Those baggy black trousers with the jam stain on the knee and that scruffy brown jumper you dropped on the floor before getting into bed would hardly do. While she and her brother were taken off to the police cells, the home she had lived in all her life would be ripped apart in search of evidence. The thought of strangers running around the house horrified her. What would they think of all the mess? The mold on
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