Power Born of Dreams: My Story is Palestine

“An artistic triumph that will stand as an enduring testament to the spirit of the Palestinian people. Mohammad Sabaaneh is a master.”--Joe Sacco, winner of the American Book Award for Palestine
What does freedom look like from inside an Israeli prison?
A bird perches on the cell window and offers a deal: “You bring the pencil, and I will bring the stories,” stories of family, of community, of Gaza, of the West Bank, of Jerusalem, of Palestine. The two collect threads of memory and intergenerational trauma from ongoing settler-colonialism. Helping us to see that the prison is much larger than a building, far wider than a cell; it stretches through towns and villages, past military checkpoints and borders. But hope and solidarity can stretch farther, deeper, once strength is drawn of stories and power is born of dreams. Translating headlines into authentic lived experiences, these stories come to life in the striking linocut artwork of Mohammad Sabaaneh, helping us to see Palestinians not as political symbols, but as people.\nFrom School Library Journal\nThe stories in Sabaaneh's poignant graphic novel are an ultimately triumphant attempt to allow readers to "see and feel the reality of Palestinian lives." The book starts with Sabaaneh making a deal with a bird who visits his prison cell (in real life Sabaaneh spent several months in prison for an alleged association with the terrorist group Hamas). They agree that he will draw the stories the bird tells him about his flights around Palestine. Day after day the bird comes back to recount what he's seen and heard: a woman forced to give birth at a checkpoint to Jerusalem, Gazans with one eye always to the sky to watch out for Zanana (the name they gave Israeli drones), and tales from a Palestinian teacher who still hopes for justice and a free Palestine. These accounts may seem bleak, but the closing line from the bird makes clear that this isn't the case: "The purpose of these stories is to give [Palestinians] strength and keep them from leaving." Sabaaneh's often abstract black-and-white linocut illustrations pulse with emotion, making the tales feel even more immediate. Readers unfamiliar with the Israeli occupation of Palestine will appreciate the brief but thorough essays, with cited sources, that close out the book. VERDICT An excellent account of life under Israeli occupation, along with credible information to support the author's point of view and claims.Shazia Naderi, Bethpage P.L., NYα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.