The Many Facets of Diamonds Are Forever: James Bond on Page and Screen

Review\nWhat joy! A collection on my favorite Bond book, the one with most wit. This sparkling collection offers interesting perspectives both on the film and on the more lackluster but still worthwhile novel of that title. Both novel and film focus on America during its age of unrivaled power. -- Jeremy Black, University of Exeter, author of The World of James Bond: The Lives and Times of 007\nThe Many Facets of Diamonds Are Forever offers an abundance of riches for both Fleming scholars and fans. In particular, Guy Hamilton's 1971 adaptation of Fleming's novel receives considerable attention and, in the phrasing of one of the volume's fine contributors, proves to be a 'key transitional film for the Bond series.' Readers and viewers alike will find much of value in this anthology. -- Stephen Watt, Indiana University\nCountless books have been written about the James Bond franchise over the years, but only a small handful have focused exclusively on one individual title in the series. Instead, most tend to approach the Bond phenomenon from an all-inclusive perspective. In fact, other than Charles Helfenstein’s exhaustively researched making-of volumes about “On Her Majesty’s Secret Service” and “The Living Daylights,” and Andrew McNess’s superb book-length analysis of “A View to a Kill,” it’s difficult to think of another example where an author delves deeply into one particular entry in the series rather than covering the entire 007 filmography as a whole.\nWell, it’s time to add an intriguing new title to that short list.\n(Excerpted from interview with the author, available at https://jamesbondradio.com/inside-oliver-bucktons-new-book-the-many-facets-of-diamonds-are-forever/) -- James Bond Radio\nDiamonds Are Forever—the fourth James Bond novel by Ian Fleming, published in 1956—is widely recognized as one of the most intriguing and original works in the 007 series. With its exciting settings including West Africa, Las Vegas, and the horse-racing center of Saratoga Springs, the novel explores the thrilling themes of diamond smuggling, gambling, gangsters, sex, and espionage. Moreover, the novel is unique in being set outside the conventional Cold War milieu of other Fleming novels, allowing readers to explore Fleming’s views of America without reference to its Cold War antagonist, the Soviet Union. This collection of essays is the first to explore Fleming’s novel in depth, as well as delve into the remarkable 1971 film adaptation directed by Guy Hamilton (who also directed Goldfinger), and starring Sean Connery in his final “official” appearance as 007. Updating Fleming’s novel for the post-1960s culture of sexual liberation and mass-market consumerism, Hamilton’s film departs from the novel by introducing Ernst Stavro Blofeld—the head of SPECTRE and James Bond’s nemesis—as the arch-villain. The ten original essays in this collection focus on diverse themes such as the central role of Tiffany Case—one of Fleming’s most memorable “Bond girls”—in novel and film; Fleming’s fascination with diamonds, reflected in this novels intertextual connections to the non-fiction book The Diamond Smugglers; the author’s ambivalent relationship with American culture; the literary style of Diamonds Are Forever, including its generic status as a “Hollywood novel”; and the role of homosexuality in the novel and film versions of Diamonds Are Forever. Bringing together established Bond scholars and new emerging critics, this collection offers unique insight into one of the most influential works of modern popular culture, casting new light on the many facets of Diamonds Are Forever.