Mendel: A Story of Youth (Classic Reprint)

Excerpt from Mendel: A Story of YouthHe could not read what was written on it, for the paper was very dirty and the characters were crabbed and awkwardly written. He turned to the Old men, one of whom said excitedly the only English words he knew - London - Jewish - Society. The official looked re lieved. These people did not look like Jews, and the eldest girl and the little boy were lovely. He went away, and the woman, whose hopes had risen, once more looked disconsolate. The little boy buried his face in her apron and wept.A surburban train came wheezing into the platform, which was at once alive with hurrying men in Silk hats and tail-coats. Catching sight of the brilliantly attired group, the handsome woman and the lovely girl, the boys with their heads bowed beneath the billowing piles of feather bedding, some of them stopped. The little boy looked up with tears in his eyes. One man put his hand in his pocket and threw down a few coppers. Oth ers followed his example, and the little boy ran after the showering pennies as they bounced in the air, and rolled, span, and settled. He danced from penny. To penny and a crowd gathered; for, in his bright jerkin and breeches and little top-boots, dancing like a sprite, gay and wild, he was an astonishing figure to find in the grime and ugliness of the station. Silver was thrown among the pennies to keep him dancing, but at last he was exhausted and ran to his mother with his fists full of money, and the men hurried on to their offices.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.