The Appreciation of Architecture; How to Judge Architecture

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The Appreciation of Architecture; How to Judge Architecture image
ISBN-10:

1236850661

ISBN-13:

9781236850669

Author(s): Sturgis, Russell
Released: Sep 13, 2013
Format: Paperback, 40 pages

Description:

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1903 edition. Excerpt: ... to even an uncareful observer. This may be thought true of early Greek work temple is the simplest conceivable, a mere carrying of stone beams upon stone posts--no arches to thrust, no windows to open in the wall, most of all, no attempt to roof anything with masonry except in so far as a stone beam is strong enough to span a small open space between two strong pillars. Moreover, the Greek temple was so covered up with painting, and where the paint did not conceal the whole surface that surface was already so carefully smoothed and unified, that it was hard to distinguish stone from stone even in the marble-built temples of Athens-whereas those of the soft stone regions, coated with stucco, were in architectural effect absolutely monoliths. As for the Roman structure, built with unexampled massiveness, and wonderfully imposing in its mass and in the great size and noble proportions of its interiors, it was concealed from view by the entirely contradictory pretense at trabeated construction in the modified Greek orders of columns and pilasters: and where these were as well: but then the structure of the Greek not in use the walls were very commonly Italian Pointed Style Hardly Gothic concealed by marble in great sheets, by tiling of glass, or by moulded stucco. The Gothic building also was painted: nor was there any hesitation. on any one's part in putting up surfaces of stucco to paint upon where an elaborate picture was wanted: but this concealed nothing except the joints of a few courses of stone. The essential facts of the structure remained visible outdoors and in, and it was by a judicious proportioning of the parts of these structures, each to all the others, that the chief architectural effect was obtained. Another class of...

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