An outline history of sculpture for beginners and students; with complete indexes and numerous illustrations

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An outline history of sculpture for beginners and students; with complete indexes and numerous illustrations image
ISBN-10:

1236547047

ISBN-13:

9781236547040

Released: Jun 28, 2012
Format: Paperback, 82 pages
Related ISBN: 9781120152817

Description:

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1889 edition. Excerpt: ... were far more independent of each other, and the entire organization of art in Germany was very different from that of Italy. One of the most prominent effects of the architecture of Germany was to drive the sculptors to seek for such work as had no relation to architecture, and an important result from this was the great attention which they paid to woodcarving; indeed, this was the favorite pursuit of the German sculptors for many years. About the middle of the fifteenth century the importance of this art in Germany was far greater than those of bronze-casting or stone sculpture. The principal works in wood-carving were the altars, which finally came to be colossal in size, and with their multitude of reliefs, statuettes, and ornaments were marvellous monuments to the industry and skill of the woodcarvers. The reliefs in these works are usually arranged on landscape backgrounds, and so much resemble pictures in many ways that the colors and gilding which were freely used on them do not seem out of place, and it appears tobe quite natural that wood-carvers should often have been painters also. The Swabian school, the principal seat of which was Ulm, was the earliest to adopt the new, realistic style. There are works by Swabian artists which show this tendency as early as 1431. JORG Syrl1n, who flourished during the last half of the fifteenth century, was an eminent wood-carver, and as he did not color his works he can be better judged as a sculptor than he could be if the effect of the whole depended partly upon painting. The choir-stalls in the Cathedral of Ulm and the fountain in the market place, called " Fischkasten," are his most important works; but a singing-desk, now in the museum, and other lesser pieces are also excellent...

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