After Agatha: Women Write Crime

Review\nPraise for Sally Cline's previous works:\n“Wrapped up in a thorough biography, a strong case for why the unfortunate Zelda Fitzgerald should be remembered as an artist foremost, not merely as a victim of mental illness.” (Kirkus Reviews) on Zelda Fitzgerald\n“Cline imbues her scenes with revelatory detail.” (Atlanta Journal-Constitution) on Zelda Fitzgerald\n“Sally Cline succeeds in breathing fresh life into this jazz-age icon in her meticulously documented and eminently readable biography.” (The Washington Post Book World) on Zelda Fitzgerald\n“Man of Mystery delivers the goods on Hammett. . . . An entertaining and informative read.”—Library Journalon Dashiell Hammett\n"In Dashiell Hammett: Man of Mystery, Cline brilliantly captures the life and times of this often private, enigmatic, and talented man. . . . Five out of five stars for her first-rate, well-researched, and compelling biography on Dashiell Hammett. It is a gem of a book, very entertaining, and it belongs in the library of all lovers of American literature.” —Baltimore Post-Examineron Dashiell Hammett\n"Apart from its valuable contribution to the study of lesbian literature per se, this biography dramatizes through Hall's life the complex and still often surprising sexual politics of the early century." —Kirkus Reviews on Radclyffe Hall\nAfter Agatha: Women Write Crime is the first book to examine how British, American, and Canadian female crime writers pursue their craft and what they think about crime writing. Hundreds of women who identified as lesbian, bisexual, heterosexual, able-bodied, disabled, feminist, left or right wing, who were black or white, who had experienced violence, sexism, homophobia or racism, and who came from big cities or small country villages had one thing in common: they read crime novels.
The book explores why so many women who face fear and violence in their daily lives, should be so addicted to crime fiction, many of which feature extreme violence. The book analyzes why criminal justice professionals including police officers, forensic scientists, probation officers, and lawyers have joined traditional detective writers in writing crime. It examines the explosions of crime writing by women between 1930 and today. It highlights the UK Golden Age women writers, the 1950s American women novelists, the 80s experimental trio, Marcia Muller, Sara Paretsky, and Sue Grafton, who created the first female American private Investigators, and the important emergence of female police protagonists, as well as those central characters who for the first time were lesbian, disabled, black, or ethnic minority. After Agatha also examines the significant explosions of domestic noir thrillers and forensic science writers.
Most have taken to crime in order to reflect and comment on the social and political landscape around them. Many are creatively exploring the significant issues facing women today.