Shakespeare and England

By Sir WALTER RALEIGH Read July 4, 1918 There is nothing new and important to be said of Shakespeare. In recent years antiquaries have made some additions to our knowledge of the facts of his life. These additions are all tantalizing and comparatively insignificant. The history of the publication of his works has also become clearer and more intelligible, especially by the labours of Mr. Pollard; but the whole question of quartos and folios remains thorny and difficult, so that no one can reach any definite conclusion in this matter without a liberal use of conjecture. I propose to return to the old catholic doctrine which has been illuminated by so many disciples of Shakespeare, and to speak of him as our great national poet. He embodies and exemplifies all the virtues, and most of the faults, of England. A ny one who reads and understands him understands England. This method of studying Shakespeare by reading him has perhaps gone somewhat out of vogue in favour of more roundabout ways of approach, but it is the best method for all that. Shakespeare tells us more about himself and his mind than we could learn even from those who knew him in his habit as he lived, if they were all alive and all talking. To learn what he tells we have only to listen. I think there is no national poet, of any great nation whatsoever, who is so completely representative of his own people as Shakespeare is representative of the English. There is certainly no other English poet who comes near to Shakespeare in embodying our character and our foibles. No one, in this connexion, would venture even to mention Spehser or Milton. Chaucer is English, but he lived at a time when England was not yet completely English, so that he is only half-conscious of his nation. Wordsworth is English, but he was a recluse. Browning is English, but he lived apart or abroad, and was a tourist of geniu(Typographical errors above are due to OCR software and don't occur in the book.)