Colorization: One Hundred Years of Black Films in a White World

Product Description
“At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland\nThis unprecedented history of Black cinema examines 100 years of Black movies—from
Gone with the Wind to Blaxploitation films to
Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of
The Butler and
Showdown.\nBeginning in 1915 with D. W. Griffith's
The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes.\nHe makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including
Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies,
Do The Right Thing, 12 Years a Slave, and
Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others.\nAn important, timely book,
Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.
Review
“This is an invaluable national memoir, seen through the ardent research — and lived experience — of the award-winning Black journalist and movie lover Wil Haygood…The white world he has in mind is America, to be exact. And Haygood anchors the opening of his survey in an extended contrast between the life and work of the commandingly influential director D.W. Griffith (whose disquieting 1915 masterpiece, “The Birth of a Nation,” with its vividly racist underpinnings, was screened in Woodrow Wilson’s White House for an appreciative audience) and that of the contemporaneous Black director Oscar Micheaux...the author’s unflagging energy also serves as an effective reproach to any who still don’t feel the frustration of how difficult it has been for so long for Black Americans to see themselves on screen and feel seen in the great American movie industry…At times “Colorization” has the feel of an almanac, or maybe it’s an encyclopedia, or a time capsule timed right up to the minute. The archivist doesn’t want to miss a detail or a moment. This is a memoir that demands update and expansion in the years to come.” --Lisa Schwarzbaum;
NY Times Book Review\n"Haygood...has become a master craftsman, one whose joinery is seamless...This is sweeping history, but in Haygood’s hands it feels crisp, urgent and pared down. He doesn’t try to be encyclopedic. He takes a story he needs, tells it well, and ties it to the next one. He carries you along on dispassionate analysis and often novelistic detail….this is important, spirited popular history. Like a good movie, it pops from the start." -- Dwight Garner,
The New York Times
“This enthralling and impeccably researched study starts with the silent era and ends with the death of George Floyd. “In the life of Black Americans,” Haygood writes, “photographs and moving images would come to be quite significant, illustrating both hardship and brutality.” In addition to documenting the key texts, Haygood also delves into the stories of individuals like Dorothy Dandridge and Melvin Van Peebles.” --Christopher Schobert,
The Film Stage\n“At once a film book, a h