The Luck of Roaring Camp: Susy, a Story of the Plains (Classic Reprint)

Excerpt from The Luck of Roaring Camp: Susy, a Story of the PlainsWith this lamentable example before me, I trust that in the following sketches I have abstained from any positive moral. I might have painted my villains of the blackest dye, so black, indeed, that the origi nals thereof would have contemplated them with the glow of comparative virtue. I might have made it impossible for them to have performed a virtuous or generous action, and have thus avoided that moral confusion which is apt to arise in the contemplation of mixed motives and qualities. But I should have burdened myself with the responsibility of their creation, which, as a humble writer of romance and entitled to no particular reverence, I did not care to do.I fear I cannot claim, therefore, any higher motive than to illustrate an era of which Californian history has preserved the incidents more often than the char acter of the actors an era which the panegyrist was too often content to bridge over with a general com pliment to its survivors, an era still so recent that in attempting to revive its poetry, I am conscious also of awakening the more prosaic recollections of these same survivors, and yet an era replete with a certain heroic Greek poetry, of which perhaps none were more unconscious than the heroes themselves. And I shall be quite content to have collected here merely the materials for the Iliad that is yet to be sung.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.