Submerged Cultural Resources Study: Uss Arizona Memorial and Pearl Harbor National Historic Landmark (Classic Reprint)

Excerpt from Submerged Cultural Resources Study: Uss Arizona Memorial and Pearl Harbor National Historic LandmarkFrom the Arizona Memorial Museum Association, Gary Beito was very suppor tive of the survey work from its earliest stages. The clerks of the association bookstore were friendly to us despite our intrusive presence for weeks at a time over several years. The food and drinks donated by Concessionnaire Carol Lim are also ap preciated. Pacific Area Director Bryan Harry, senior park service official in the study area, kept a quiet, watchful eye on the project as it unfolded but was ready to lend his support whenever necessary. This project also required smooth coordination between two nps regional offices. Regional Directors of Western and South west Region (home office of scru) during the period the work took place were howardchapman and Stan Albright (western) and Bob Kerr and John Cook (southwest). Roger Kelly, regional ar cheologist for Western Region played an active role each year in ensuring that this interregional coordination and coopera tion held together. Chief archeologist of the National Park Service, Doug Scovill, has programmatic authority over the Sub merged Cultural Resources Unit and strongly supported the Pearl Harbor opera tion. Cal Cummings, senior service ar cheologist in Denver, paid an ou-site visit in 1986 and offered comparisons to work he was involved with on the uss monitor.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.