Cinematic Mythmaking: Philosophy in Film

(3)
Cinematic Mythmaking: Philosophy in Film image
ISBN-10:

0262195895

ISBN-13:

9780262195898

Author(s): Singer, Irving
Edition: First Edition
Released: Jan 01, 2008
Publisher: Mit Pr
Format: Hardcover, 245 pages
Related ISBN: 9780262515153

Description:

Mythic themes and philosophical probing in film as an art form, as seen in works of Preston Sturges, Jean Cocteau, Stanley Kubrick, and various other filmmakers.Film is the supreme medium for mythmaking. The gods and heroes of mythology are both larger than life and deeply human; they teach us about the world, and they tell us a good story. Similarly, our experience of film is both distant and intimate. Cinematic techniques―panning, tracking, zooming, and the other tools in the filmmaker's toolbox―create a world that is unlike reality and yet realistic at the same time. We are passive spectators, but we also have a personal relationship with the images we are seeing. In Cinematic Mythmaking, Irving Singer explores the hidden and overt use of myth in various films and, in general, the philosophical elements of a film's meaning. Mythological themes, Singer writes, perform a crucial role in cinematic art and even philosophy itself. Singer incisively disentangles the strands of different myths in the films he discusses. He finds in Preston Sturges's The Lady Eve that Barbara Stanwyck's character is not just the biblical Eve but a liberated woman of our times; Eliza Doolittle in the filmed versions of Shaw's Pygmalion is not just a statue brought to life but instead a heroic woman who must survive her own dark night of the soul. The protagonist of William Wyler's The Heiress and Anieszka Holland's Washington Square is both suffering Dido and an awakened Amazon. Singer reads Cocteau's films―including La Belle et la Bête, Orphée, and The Testament of Orpheus―as uniquely mythological cinematic poetry. He compares Kubrickean and Homeric epics and analyzes in depth the self-referential mythmaking of Federico Fellini in many of his movies, including 8½. The aesthetic and probing inventiveness in film, Singer shows us, restores and revives for audiences in the twenty-first century myths of creation, of the questing hero, and of ideals―both secular and religious―that have had enormous significance throughout the human search for love and meaning in life.

Best prices to buy, sell, or rent ISBN 9780262195898




Frequently Asked Questions about Cinematic Mythmaking: Philosophy in Film

You can buy the Cinematic Mythmaking: Philosophy in Film book at one of 20+ online bookstores with BookScouter, the website that helps find the best deal across the web. Currently, the best offer comes from and is $ for the .

The price for the book starts from $23.99 on Amazon and is available from 3 sellers at the moment.

If you’re interested in selling back the Cinematic Mythmaking: Philosophy in Film book, you can always look up BookScouter for the best deal. BookScouter checks 30+ buyback vendors with a single search and gives you actual information on buyback pricing instantly.

As for the Cinematic Mythmaking: Philosophy in Film book, the best buyback offer comes from and is $ for the book in good condition.

The Cinematic Mythmaking: Philosophy in Film book is in very low demand now as the rank for the book is 2,828,869 at the moment. A rank of 1,000,000 means the last copy sold approximately a month ago.

The highest price to sell back the Cinematic Mythmaking: Philosophy in Film book within the last three months was on January 10 and it was $0.82.