The Last Waltz in Santiago: And Other Poems of Exile and Disappearance (Poets, Penguin)

Language Notes\nText: English, Spanish (translation)\nFrom Publishers Weekly\nThe Chilean author who taught us all How to Read Donald Duck here reminds us in a thumping collection of protest poetry that Chile is a country where dissidents continue to vanish without a trace, leaving behind torn families who cannot decide whether to hope that their loved ones are alive, or deadand beyond the possibility of torture. Eschewing political rhetoric, Dorfman adopts the personae of parents, spouses and children who, never even breathing the words "Pinochet" or "junta," long for knowledge of the fates of the Disappeared. Similarly, Dorfman describes the helpless isolation of the exile in two consecutive poems that both conclude: "I hang up the phone and begin to call the newspapers one by one to give them the name of the companero who has been arrested, the name of the companero I don't know." In the tradition of Latin American protest literature, this is a call to conscience that appeals to our most basic human instinctsthe love of mother for child, wife for husband.
Copyright 1988 Reed Business Information, Inc.\nFrom Library Journal\nThis slim volume of "torture and resilience" poetry by Chilean exile Dorfman is heavy going, but necessary reading if any portion of the human race is ever to be moved to action against the unblushing brutality of some Latin American regimes. The poet asks forgiveness lest any accidental rhymes or rhythms creep into his work to detract from the starkness of his descriptions of electric shock, the stuffing of live rats into the vagina of a woman, or a mother's gratitude when she hears about her son's screams of torture, knowing at last that he is at least alive. For most poetry collections.Jack Shreve, Allegany Community Coll., Cumberland, Md.
Copyright 1988 Reed Business Information, Inc.