Have you ever wondered how your favorite authors got their start? How did they make the leap from closet scribe to published author? In My First Novel: Tales of Woe and Glory, twenty-five authors recount the variety of hurdles, both internal and external that they had to overcome on their journey. Alan Watt, editor of My First Novel and founder of L.A. Writers’ Lab’s 90-Day Novel Workshops, states, “The goal of this book was to demystify the creative experience, to level the playing field, to say to the writer who was struggling with his novel late at the night in the garage of his parent’s house in Walla Walla, that you are no different than any of these other writers, and to keep going, and yes, at times it really is that difficult and scary, but that you are not alone, and you are up to the challenge, and here are twenty-five separate road maps to the same destination.” Cheryl Strayed (author of the international bestseller, Wild) recounts her experience of writing her first novel, Torch. “I know this sounds crazy, but it’s true: I thought that Torch would write itself. Or rather, that something magical would happen that would make it be written, a force that would take me into its grips and enable me to write a book without too much suffering.” Rick Moody (award-winning author of The Ice Storm) writes, “For Garden State, it only mattered what I believed was true…Music taught me a lot of whatever I know about prose, about the way that prose should sound…after I finished Garden State, it was rejected by every publisher in New York.” Aimee Bender, whose first book was the celebrated short story collection, The Girl in the Flammable Skirt, tells us, “The moral for me, is something like: work with what you have, not what you might have, or what the market wants. If there’s a book that’s done, that feels to you like a ready book, like a book tugging to leave the booknest, then push for that book, or at least try.” My First Novel: Tales and Woe and Glory, is not a book about how to write; it is a book about why we write, and what makes us persist, and the reasons are as personal as they are universal.” 100% of the proceeds from My First Novel are being donated to PEN Center USA’s Emerging Voices Fellowship.

My First Novel

Literature & Fiction

Fitch, Janet

HOLMAN, SHERI

MOODY, RICK

Watt, Alan

Markoe, Merrill

Stahl, Jerry

Strayed, Cheryl

Fante, Dan

BENDER, AIMEE

Ulin, David

Essays & Correspondence

Writers Tribe Books

Robert Flick's work extends the same visual, philosophical and theoretically fertile tradition set by the highly influential and iconoclastic Robert Heinecken. But while Heinecken's emphasis can be said to rely on the manner in which images function within the intersection of popular culture and the fine arts, Flick has characteristically concentrated more intently on the artifactual, conceptual and receptive properties of photography--specifically landscape photography. The distinctive retinal and conceptual strength of Flick's work has been evident since his early essay-format images of the 1960s. In his more recent digital work, he extends his participation in the critical discourse established around the interpretation, evaluation and assessment of visual constructs related to the landscape. And yet, this movement has only become possible through a conceptual transition from a position of creating unique objects to an emphasis on interactivity and multiple access using still and moving images that allow for the work's insertion into the broader socio-political arena where the application defines the discourse.

Robbert Flick: Trajectories

Arts & Photography

Dear, Michael

Individual Artists

Steidl/LACMA

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