Published in 1896, The Sense of Beauty secured Santayana's reputation as a philosopher and continued to outsell all of his books until the publication of his one novel, The Last Puritan. Even today, it is one of the most widely read volumes in all of Santayana's vast philosophical work. It is a large irony that Santayana disowned The Sense of Beauty from the beginning, and wrote it only to keep his job teaching at Harvard. In 1950 he met with the philosopher Arthur Danto in the Roman convent clinic where he passed his final years, and reminisced that "they let me know through the ladies that I had better publish a book." "On what?" "On art, of course. So I wrote this wretched potboiler" In fact, the book was based on a well known course on the theory and history of aesthetics that Santayana gave at Harvard College from 1892 to 1895. Santayana approaches the study of aesthetics through a naturalistic basis in human psychology: "Beauty is pleasure regarded as the quality of a thing." As such, he observes, beauty does not reside in the object but in the individual's sense of beauty. This in no way reduces the importance or the value of art or aesthetic experience. For Santayana, beauty is not relegated to museum art or to some limited arena of aesthetic experience; rather, beauty informs the whole of human existence. Herman J. Saatkamp, Jr, heads the Department of Philosophy and Humanities at Texas A&amp;M University. William G. Holzberger is a Professor of English at Bucknell University. Arthur C. Danto is a Professor of Philosophy at Columbia University.

The Sense of Beauty: Being the Outline of Aesthetic Theory (Works of George Santayana)

Politics & Social Sciences

Santayana, George

Saatkamp, Herman J.

Holzberger, William G.

Philosophy

Mit Pr

To push the edges of the known, to look at the accepted in novel ways, is indeed to stand at the frontiers of a field. In Frontiers in American Philosophy thirty-five contemporary scholars explore classical American thought in bold new ways.  An extraordinary range of issues and thinkers is represented in these pages--from such core themes as metaphysics and social philosophy, which receive primary attention, to some consideration of American philosophers' technical accomplishments in mathematical logic and philosophical analysis. The authors also offer new perspectives on the work of the leading American philosophers, including George Herbert Mead, William James, John Dewey, Charles Sanders Peirce, and Emma Goldman. Not surprisingly perhaps, a great deal of the discussion revolves, either directly or indirectly, around that great axis of intellectual issues commonly known as the "realism/idealism" controversy. It seems fitting that so much attention is devoted to the possibility of some sort of middle position between "external realism" and its antipode in some form of relativistic subjectivism. For, in the last analysis, such a middle position is for the American philosophers the core meaning of "pragmatism.”

Frontiers in American Philosophy: Volume I

Burch, Robert W.

Texas A&M University Press

To push the edges of the known, to look at the accepted in novel ways, is indeed to stand at the frontiers of a field. In Frontiers in American Philosophy thirty-five contemporary scholars explore classical American thought in bold new ways. An extraordinary range of issues and thinkers is represented in these pages--from such core themes as metaphysics and social philosophy, which receive primary attention, to some consideration of American philosophers' technical accomplishments in mathematical logic and philosophical analysis. The authors also offer new perspectives on the work of the leading American philosophers, including George Herbert Mead, William James, John Dewey, Charles Sanders Peirce, and Emma Goldman. Not surprisingly perhaps, a great deal of the discussion revolves, either directly or indirectly, around that great axis of intellectual issues commonly known as the "realism/idealism" controversy. It seems fitting that so much attention is devoted to the possibility of some sort of middle position between "external realism" and its antipode in some form of relativistic subjectivism. For, in the last analysis, such a middle position is for the American philosophers the core meaning of "pragmatism.”

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