The first fully-illustrated introductory book about the story of Himalayan art and culture Published as part of the Rubin Museum's Project Himalayan Art, which also includes an extensive digital platform and traveling exhibition designed to expand knowledge and understanding of Himalayan art and culture Includes highlights in an accessible yet substantive visual presentation written by over 70 international authors representing a range of disciplines 
In this beautifully illustrated volume, the fascinating story of Himalayan art is illuminated through a selection of significant objects from the Neolithic era to today. Paintings, sculptures, drawings, textiles, architectural structures, and more serve as a guide to the historical traditions, rituals, social practices, and art forms from Tibetan, Indian, Nepalese, Bhutanese, Mongolian, and Chinese regions, emphasizing cross-cultural exchange with Tibet at the center. Photographs and essays bring each object to life, introducing readers to the diversity and uniqueness of Tibetan, Himalayan, and Inner Asian art and practices, while highlighting the importance of the region in understanding broader Asia. Selected and authored by an international group of scholars and curators, these 108 objects offer an accessible introduction to this rich yet underrepresented field. This highly anticipated publication is part of the Rubin Museum's Project Himalayan Art, an initiative to cultivate resources for teaching and learning about Himalayan art and cultures.

Himalayan Art in 108 Objects

Arts & Photography

Debreczeny, Karl

Pakhoutova, Elena

History & Criticism

Scala Arts Publishers, Inc.

This book is the culmination of a long story that began with the acquisition of fifty-four paintings from an elderly priest, who had served in a Belgian mission in Inner Mongolia in the 1920s, by the Ethnographic Museum of Antwerp in 1977. The All-Knowing Buddha: A Secret Guide focuses on this extremely rare group of richly-detailed album leaves which illustrate the visualization practice of Sarvavid Vairocana, the All-Knowing Buddha. This beautifully illustrated step-by-step visual guide provides a unique glimpse into Tibetan Buddhist meditation and ritual, normally instruction restricted to oral transmission by a teacher to his initiated disciple. These practices are usually not meant to be depicted and this is one of the only albums known to exist in which the meditative visualization process is spelled out visually. While the ritual narrative of these unusual paintings is Tibetan Buddhist in content they are expressed in a vivid Chinese aesthetic, a unique product of cultural translation through its Mongolian patrons. The album exemplifies rich patterns of cross-cultural exchange that characterized the Qing Empire. Three essays by the Rubin Museum curators explore different aspects of Vairocana and contextualize the album, illustrated with approximately twenty-five images, followed by the leaves themselves which are featured in fifty-four full-page plates with accompanying commentary on their ritual and artistic content.

The All-Knowing Buddha: A Secret Guide

Luczanits, Christian

Rubin Museum of Art

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