A lavish, gorgeously designed full-color collection that showcases the designs of Dorothy and Otis Shepard, two groundbreaking giants of early twentieth-century American advertising.
Dorothy and Otis Shepard are the unsung heroes of early twentieth-century North American visual culture. Together, they were the first American graphic designers to work in multiple mediums and scales with equal skill and vision, and their work remains brilliant; yet their names are little known today.
Dorothy and Otis chronicles their story in detail for the first time. It explores the Shepards’ penchant for abstraction and modernism, and shows how the advent of billboard advertising inspired their creativity—large campaigns that matched the grandeur of their lifestyle. Throughout, it demonstrates how their influence touched all aspects of consumer culture—from collaborating on the packaging for Wrigley’s Gum and designing uniforms and logos for the Chicago Cubs to planning and promoting the resort island Catalina, where Stan Laurel, Oliver Hardy, Clark Gable, and other celebrities frequented.
Dorothy and Otis illuminates their personal lives as well, from their origins and early years to the eventual dissolution of their marriage. As it brings to life these pioneering artists and their momentous partnership, it elevates them to their rightful place in popular culture and makes clear how their legendary work reflected and exemplified the American Dream.

Dorothy and Otis: Designing the American Dream

Arts & Photography

Nadel, Dan

Hathaway, Norman

History & Criticism

Harper

From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. Electrical Banana is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. Compiling hundreds of unseen images plus exclusive interviews and essays, it revises and expands the common perception of psychedelic art, revealing it to be more innovative, compelling and revolutionary than is usually acknowledged. Electrical Banana documents the great virtuosos of psychedelic art: men and women whose work combines avant-garde design with highly sophisticated image-making. Launching a million Day-glo dreams, the artists include: Marijke Koger, the Dutch artist responsible for dressing the Beatles; Mati Klarwein, who painted the cover for Miles Davis’ Bitches Brew; Keiichi Tanaami, the Japanese master of psychedelic posters; Heinz Edelmann, the German illustrator and designer of the Beatles’ animated film Yellow Submarine; Tadanori Yokoo, whose prints, books and fabrics defined the 1960s in Japan; Dudley Edwards, a painter, car decorator and graphic artist on the London rock scene; and the enigmatic Australian Martin Sharp, whose work for Cream and underground magazines made him a hippie household name in Europe. Electrical Banana features a lengthy historical essay and interviews with all of the artists.

Electrical Banana: Masters of Psychedelic Art

Damiani

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