Take Ten: Contemporary British Film Directors

Mention "British cinema" and Hammer horror films or Ealing comedies are frequently all that come to mind. Although there has been no sustained film movement in Britain akin to the French New Wave or Italian Neo-Realism, there is a rich diversity of talent among contemporary British filmmakers that rarely receives the attention it deserves. This collection of essays and in-depth interviews examines the careers and aspirations of ten directors--Stephen Frears, Ken Loach, Lindsay Anderson, Bill Forsyth, Peter Greenaway, Derek Jarman, Nicolas Roeg, Richard Attenborough, Alan Parker, and John Schlesinger. The book looks at their different styles and techniques, their influences, their attitudes toward working with actors and raising money, and their relationships with their audiences. Take Ten offers revealing insights into the working methods and tastes of these important directors. It will be essential reading for all interested in British and contemporary film.

Humor & Entertainment

PRICE, DAVID

Hacker, Jonathan

Movies

Oxford University Press

Mention "British cinema" and Hammer horror films or Ealing comedies are frequently all that come to mind.  Although there has been no sustained film movement in Britain akin to the French New Wave or Italian Neo-Realism, there is a rich diversity of talent among contemporary British filmmakers that rarely receives the attention it deserves.  This collection of essays and in-depth interviews examines the careers and aspirations of ten directors--Stephen Frears, Ken Loach, Lindsay Anderson, Bill Forsyth, Peter Greenaway, Derek Jarman, Nicolas Roeg, Richard Attenborough, Alan Parker, and John Schlesinger.  The book looks at their different styles and techniques, their influences, their attitudes toward working with actors and raising money, and their relationships with their audiences.  Take Ten offers revealing insights into the working methods and tastes of these important directors. It will be essential reading for all interested in British and contemporary film.

<p>Path of Blood tells the gripping and horrifying true story of the underground army which Osama Bin Laden created in order to attack his number one target: his home country, Saudi Arabia. His aim was to conquer the land of the Two Holy Mosques, the land from where Islam had first originated, and, from there, to reestablish an Islamic Empire that could take on the West and win. Thomas Small and Jonathan Hacker use new insider evidence to expose the real story behind the Al Qaeda. Far from the image of single-minded holy warriors they present to the world, the bands of soldiers are riven by infighting and lack of discipline. Drawing on unprecedented access to Saudi government archives, interviews with top intelligence officials both in the Middle East and in the West, as well as with captured Al Qaeda militants, and access to exclusive captured video footage from Al Qaeda cells, Path of Blood tells the full story of the terrorist campaign and the desperate and determined attempt by Saudi Arabia’s internal security services to put a stop to it.</p>

Path of Blood: The Story of Al Qaeda's War on the House of Saud

History

Small, Thomas

Africa

Abrams Press

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