American Art Posters of the 1890s in The Metropolitan Museum of Art, including the Leonard A. Lauder Collection

Arts & Photography

Kiehl, David W.

Cate, Phillip Dennis

Collections, Catalogs & Exhibitions

Metropolitan Museum of Art

American Art Posters of the 1890s

Reference

Finlay, Nancy

Metropolitan Museum Of Art (new York, N.y.)

Writing, Research & Publishing Guides

Exhibition catalog. Lavishly illustrated. Artists include Manet, Monet, Renoir, Seurat, Caillebotte, Cezanne, Signac, and others. 244p.

Impressionists on the Water

Charles, Daniel

Lloyd,Christopher

History & Criticism

Skira/Rizzoli

Book by Cate, Phillip Dennis, Gill, Susan

Theophile-Alexandre Steinlen

Gill, Susan

Gibbs-Smith

Towards the end of the 19th century, printmaking exploded with creative energy in France. Prints Abound should fascinate art lovers, collectors, historians and anyone interested in an important period of French culture. This book explores the artistic, economic, commercial and cultural circumstances of 1890s Paris, and covers artists such as Pierre Bonnard, Edouard Vuillard, Henri de Toulouse-Lautrec, Paul Gaugin and Odilon Redon.

Prints Abound: Paris in the 1890s : From the Collections of Virginia and Ira Jackson and the National Gallery of Art

THOMSON, Richard

National Gallery of Art (U.S.)

Murray, Gale Barbara

Natl Gallery of Art

Toulouse-Lautrec and Montmartre

Childhood illness and injuries steered Henri de Toulouse-Lautrec (1864-1901) away from customary rural aristocratic avocations and toward a profession as an artist. He became a painter, draftsman, and lithographer whose work was immersed in famously hedonistic, fin-de-siècle Paris. In his hands, advertising posters were raised to a high art; he portrayed the nightlife of Montmartre-circuses, cafés, dance halls, and brothels-with clear, bold color and a certain seamy panache that is instantly recognizable as his. His much mythologized life has found its way into many biographies and into two feature-length movies called Moulin Rouge.
 Lavishly illustrated with 370 color plates, Toulouse-Lautrec and Montmartre is the first major work to present the artist's oeuvre in the context of Montmartre's lively art scene from roughly 1885 to 1901. Accompanying an exhibition of the same name at the National Gallery of Art and The Art Institute of Chicago, the book features the important paintings, drawings, prints, and posters Toulouse-Lautrec made on Montmartre subjects. It also includes masterpieces by contemporaries he inspired or who inspired him-Degas, Van Gogh, Picasso, and others-as well as rarely seen illustrations, lithographs, photographs, and ephemera of the era. And it discusses the artists, writers, actors, singers, and dancers who formed Toulouse-Lautrec's circle.
 The book's gracefully written essays by Richard Thomson, Phillip Dennis Cate, and Mary Weaver Chapin, with Florence E. Coman, address these themes in light of the rise of the color poster, the proliferation of new forms of entertainment, and the emergence of a celebrity-oriented popular culture. Toulouse-Lautrec and Montmartre evokes a colorful, chaotic era, and adds a new dimension to our understanding of the art of Toulouse-Lautrec.

Toulouse-lautrec And Montmartre

Chapin, Mary Weaver

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Books by Cate, Phillip Dennis