A Whitney Museum of American Art Book Since 1932, the Whitney Museum's Biennial Exhibitions have counted among the milestones in the history of American art and have played a leading role in presenting vanguard developments in art to the general public. Countless prominent artists have made their museum debut at these diverse surveys of painting, sculpture, works on paper, film and video, performance, and installation. 
For the eagerly awaited first Biennial of the new millennium, the Whitney has assembled a versatile team of curators from around the nation to select and invite the participating artists. Once again, the Whitney will help to establish a critical perspective on the latest creative achievements by American artists. 
250 illustrations, 150 in full color, 9 x 10 1/2" 
MAXWELL L. ANDERSON is director of the Whitney Museum of American Art, New York; MICHAEL G. AUPING is chief curator, Modern Art Museum of Fort Worth; VALERIE CASSEL is director of the Visiting Artists Program, School of the Art Institute of Chicago; HUGH DAVIES is director, Museum of Contemporary Art, San Diego; JANE FARVER is director of the List Visual Arts Center at MIT, Cambridge, Massachusetts; ANDREA MILLER-KELLER is an independent curator based in Hartford, Connecticut; and LAWRENCE R. RINDER is director, CCAC Institute, California College of Arts and Crafts, San Francisco and Oakland. 
EXHIBITION SCHEDULE Whitney Museum of American Art, New YorkMar. 23-June 4, 2000

Whitney Biennial: 2000 Exhibition

Arts & Photography

Whitney Museum of American Art

Farver, Jane

Cassel, Valerie

Davies, Hugh M.

Auping, Michael G.

Miller-Keller, Andrea

Rinder, Lawrence R.

Anderson, Maxwell Lincoln

History & Criticism

WHITNEY MUSEUM OF ART.

2003 Louisiana Biennial: Contemporary Arts Center, New Orleans, Lupin Foundation and First Floor Galleries, August 2 - September 14, 2003

Myers, Terry R.

Rubin, David S.

Louisiana Biennial (2003 : Contemporary Arts Center, New Orleans, La.)

Odita, Odili Donald

Contemporary Arts Center

American artist Leonardo Drew (born 1961) creates large-scale sculptural installations incorporating both manipulated and found materials such as paper, wood, tree branches and roots, rust and mud. These materials are often stacked on top of one another, arranged in gradations of length or shape, endowing the sculpture itself with contrasting qualities of rigorous organization and organic chaos or proliferation. Drew has been making variations on this repetoire of humble materials since the 1970s, having had his first solo exhibition at the age of 13. With nearly 100 color reproductions of these works, this volume provides an overview of Drew's four-decade career, from the dramatic sculptures and installations of the 1980s and the enormous wall tableaux of the 1990s to the more fragile paper casts of the past decade.

Leonardo Drew

Eden, Xandra

Charta

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