Jeff Koons (born 1955) is probably the most famous artist of the 1980s, and certainly one of the most notorious and controversial. In the summer of 2012, the Liebieghaus Skulpturensammlung and the Schirn Kunsthalle Frankfurt are collaborating on a bold and unprecedented simultaneous overview of Koons' sculptural and painterly oeuvre. The Liebieghaus show, titled Jeff Koons: The Sculptor, creates a dialogue between Koons' sculptures (both world-renowned and recent works) and the nineteenth-century villa whose collection spans 5,000 years of sculpture, from Ancient Egypt to the present. The artist fell in love with the Liebieghaus after visiting the city on his way to the German company Arnold, which produced his oversize works in polished steel, such as the Balloon Flower sculptures of the 1990s. The Schirn's exhibit, Jeff Koons: The Painter, focuses on the artist's monumental paintings, whose motifs draw upon the most varied sources of high and popular culture, from Manet to Popeye. In recent years, following the success of his flower and balloon dogs, Koons has revisited his painting practice, declaring, "I like the sense of warmth that comes from an actual painting and that's why I returned to making paintings." Boasting 270 color reproductions from the breadth of the artist's 30-year career, this publication is comprised of two volumes--one devoted to the sculptures, the other to the paintings--that together constitute a marvelous and ambitious Koons overview.

Jeff Koons: The Painter and the Sculptor

Arts & Photography

PISSARRO, Joachim

Brinkmann, Vinzenz

Individual Artists

Hatje Cantz

Scholars around the world are researching the degree to which colour was employed in classical and medieval sculpture. Their numerous activities and projects were most recently presented and debated at an international colloquium held in the Liebieghaus Skulpturensammlung in Frankfurt. The current contributions of 20 internationally known scholars are brought together in this richly illustrated book in English.
Among specialists, the educated layperson’s ideal of an antiquity in shining white marble has long since been dismissed as an historical error. The classical and medieval reality of coloured sculpture is now regarded as an incontrovertible fact. As long ago as the early 19th century, statues with remains of their original paint were not only discovered in Greece, but news of them was published. In the 20th century, these discoveries were at first neglected. However the work done by a team under the archeologist Vinzenz Brinkmann, resulting in an exhibition shown worldwide since 2003 entitled“Gods in Colour”, has put new life into this research and literally changed the way we see Antiquity. The extent of this revolution is graphically captured by the present volume with articles ranging from the controversial history of this research to the current state of the art of reconstructing historical painting techniques and the latest scientific methods of analyzing material residues. It culminates in the changes in the perception and significance of sculpture brought about by colour. 
 With illustrations and commentary on numerous examples of ancient and medieval works, this volume unfolds a rich panorama of polychrome statuary on the basis of the latest research results.

Circumlitio: The Polychromy of Antique and Medieval Sculpture

Hollein, Max

Primavesi, Oliver

History & Criticism

Hirmer Publishers

This stunning book uses 21st-century technology to reveal the original colors of ancient sculpture. When Renaissance artists sought to imitate ancient sculpture, their medium of choice was pure, white marble, but little did they know that the works they emulated were originally painted in dazzling and powerful hues—from red ocher and cinnabar to azurite and malachite. By illustrating painted reconstructions of well-known sculptures in relation to original examples, this volume reveals how ancient artists in Egypt, Mesopotamia, the Aegean, Greece, and Rome brought unexpected and breathtaking color to their artworks. Accompanying these reproductions are watercolors of Greece’s landscapes dating from different years, which show how our perception of ancient art has changed over time. Generously illustrated, this book testifies that the study of ancient sculpture is incomplete without an understanding of the many ways that color was employed to bring such art to life.

Gods in Color: Polychromy in the Ancient World

Dreyfus, Renee

Koch-Brinkmann, Ulrike

Prestel

See the best price to sell, buy, or rent books by Brinkmann, Vinzenz. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Brinkmann, Vinzenz