This highly illustrated catalogue will accompany an important exhibition organized by the Meadows Museum entitled Diego Rivera: The Cubist Portraits 1913 – 1917 that will take place from 21st June to 20th September, 2009. It is focused on the study of the formative stage of Rivera’s career during the second decade of the 20th century, which he spent in Paris and traveling in Europe as a member of avant-garde intellectual circles. This project marks the first time that this aspect of Rivera’s work will have been comprehensively studied, thus making a significant contribution to the scholarship on his life and work.

Diego Rivera: The Cubist Portraits, 1913-1917

Arts & Photography

Serge Fauchereau

Anna Indych-Lopez

Sylvia Navarrete

Joanne Klaar Walker

History & Criticism

Philip Wilson Publishers

In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set new attendance records in its five-week run. The Museum brought Rivera to New York six weeks before the show's opening and gave him on-site studio space. There he produced five “portable murals” --large blocks of frescoed plaster, slaked lime and wood that feature bold images drawn from Mexican subject matter and address themes of revolution and class inequity. After the opening, to great publicity, Rivera added three more murals, now taking on New York subjects through monumental images of the urban working class and the city during the Great Depression. Published in conjunction with an exhibition that brings together key works made for Rivera's 1931 show, this catalogue casts the artist as a highly cosmopolitan figure who traveled between Russia, Mexico and the United States and examines the intersection of artmaking and radical politics in the 1930s. Illustrated with reproductions of each panel as well as related paintings, drawings, prints and documentary photographs, the book's essays investigate the international politics of muralism, Rivera's history with MoMA, the iconography of the portable murals and technical aspects of the artist's working process. Diego Rivera (1886-1957) was a central figure in the development of Mexican muralism, an ambitious public art initiative intended to relay Mexico's ideals after the Revolution (1910-1920). A highly cosmopolitan artist, Rivera had spent many years in Europe before returning to Mexico in 1921, and in 1927 he traveled to the Soviet Union where he met Alfred Barr, the soon-to-be founding director of The Museum of Modern Art, New York. Rivera's artistic celebrity benefitted from major commissions in the United States, including murals for the Pacific Stock Exchange, the California School of Fine Arts in San Francisco, MoMA and the Detroit Institute of Arts. By the 1930s, he enjoyed an unrivaled status at the center of international debates about public art and politics..

Diego Rivera: Murals for The Museum of Modern Art

Leah Dickerman

The Museum of Modern Art, New York

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Books by Anna Indych-Lopez